Serenade, one of NYCB's signature ballets, is the first work that George Balanchine choreographed in America. Set to Tschaikovsky's Serenade in C op. 48., Balanchine reversed the original order of the last two movements of Tschaikovsky's score to create a somber atmosphere for the ballet's finale. This mood is reflected by the blue costumes and backgrounds used in the ballet, which was initially choreographed as an exercise in stage technique for Balanchine's students. The final movement, Elegy,
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Serenade, one of NYCB's signature ballets, is the first work that Georg…
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Witness the unmatched variety of George Balanchine's choreographic imagination this winter, with a range of ballets from throughout his career — from the virtuoso feats of Stravinsky Violin Concerto and Allegro Brilliante, to the innovation of Monumentum pro Gesualdo and Movements for Piano and Orchestra, to the rare delights of Danses Concertantes and La Source, and the magic and mystery of the Firebird. Don't miss the Stravinsky & Balanchine program, celebrating this most fruitful of artistic
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Witness the unmatched variety of George Balanchine's choreograph…
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THEME AND VARIATIONS is one of George Balanchine's most iconic ballets, requiring shimmering technique and heroic stamina. Set to Peter Ilyitch Tchaikovsky’s glorious score, this classic work evokes the golden age of classical ballet. On stage July 7–9 at the Metropolitan Opera House ✨ 🎟: https://bit.ly/ABTSummerSeason22_ThemeAndVariations | American Ballet Theatre
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THEME AND VARIATIONS is one of George Balanchine's most iconic …
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Throughout George Balanchine’s Serenade, the dancers create a dreamy effect with both their synchronized and syncopated movement and use of Karinska’s iconic tutus, which you can see in this clip from Thursday’s performance. See the ballet just two more times, this afternoon and this evening, on the Masters at Work: Balanchine & Cunningham program: nycballet.com/balanchinecunningham | New York City Ballet
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Throughout George Balanchine’s Serenade, the dancers create a dr…
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George Balanchine's Square Dance juxtaposes the structural clarity of its sleek leotard choreography with the richness of its Baroque score. Experience Square Dance this fall on the All Balanchine II program, opening September 17: nycballet.com/allbalanchine2 | New York City Ballet
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George Balanchine's Square Dance juxtaposes the structural clarity o…
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Balanchine's Serenade, one of the 20th century's great ballet masterpieces, was the first ballet he created in America. We just performed this work on stage in Shanghai, China, and it will return to NYCB during 2019 winter programming: nycballet.com/1819. This preview featuring Principal Dancer Ashley Bouder reveals the scope of Balanchine's brilliance. | New York City Ballet
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Balanchine's Serenade, one of the 20th century's great ballet master…
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This spring, another rarely seen choreographic treasure returns to the stage: George Balanchine's Sonatine. Created for two dancers joined by an onstage pianist, Balanchine's choreography honors the elegance of former Principal Dancers Violette Verdy and Jean-Pierre Bonnefoux, the original cast members in 1975. Experience this repertory rarity on the All Ravel program this spring: nycballet.com/ravel Featuring Ashley Laracey and Taylor Stanley | New York City Ballet
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Immerse yourself in Balanchine's choreography by adding just two …
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One of Balanchine’s last ballets, Mozartiana, which originally premi…
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Balanchine’s ballet advice: ‘Just do the moves’
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