Too often, documentary filmmakers fall back on using animation in a rudimentary way, just to keep the audience from zoning out during some long anecdote or info dump. But in director Inna Sahakyan’s ...
Too often, documentary filmmakers fall back on using animation in a rudimentary way, just to keep the audience from zoning out during some long anecdote or info dump. But in director Inna Sahakyan’s ...
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